I felt this scene was crucial for this story to stand on its own two legs. One hard lesson I learned in past comics is that if you don’t pay enough attention to your main villain, the narrative loses a lot of weight. Here, Ken’s flaws and attitude are explored a little and we find that he’s not actually a despotic mastermind, he just thinks he needs to act like one to get what he wants. As for what THAT is, I tried to find ways to drop hints through their dialogue, but couldn’t think of anything that wouldn’t outright spoil, so it’s still very vague at this point.
In the first draft, Kestrel became more accepting of Ken’s plan at the end and didn’t display a conscience. While working the script over, I couldn’t help but compare Ken and Kestrel to Magneto and Mystique–in particular the versions of the characters from the original X-Men film trilogy. I tweaked Kestrel’s dialogue from what I originally wrote to keep her from being an outright Mystique clone. I mean, she’s even got the “I have to be nude ‘cuz I’m made of camouflage” thing. Give Ken a helmet and they are basically X-Men LARPers. Sometimes coincidences are just coincidences, but when a creator realizes one exists, they need to make sure it stops being such a close comparison.