Senior at Attic High who specializes in taking big leaps without thinking ahead and making dramatic entrances. His imperfect genetic formula is gradually turning him into a salamander.

CCXXV: La Résistance

Posted by on January 31, 2017

I like having a varied pool of background characters that can develop into contributing characters. July started as a friend of Keris’ to fit a single scene in “New Tricks,” and over the next few chapters she’s had a supporting role in establishing Ken’s plot. Obviously she’s gone from being somewhat supportive of Ken’s group to being so against it that she’s helping to thwart them. And she’s only had three pages in total devoted to this across four chapters. These types of storytelling tricks are still new to me, but I realize I should have been using them far earlier.

I hadn’t intended for Jen to be wearing pantyhose, but this felt like a great way to show how much she’s shrunk. From what I’ve heard, women sometimes wear hose under pants for comfort or insulation, and considering there is a full-on winter storm outside, it seemed pretty plausible.

I was a bit iffy on Keris’ self-defeating attitude here. It feels almost like a step back from her growth in “New Tricks,” but given the crushing circumstances and the fact that she doesn’t have an invention that can be used against Ken, I believe her decision to stay out of the fight is appropriate for this stage of her character arc.

CCXXIV: The Attic is Apologetic

Posted by on January 15, 2017

The final panel should technically only include “Attic’s Six” because Cass is alluding to the ethics class only. But Flint had arrived with the others and I couldn’t leave him out of the group shot for something this dramatic. He’s much too closely involved with all that’s going on to be left out. Thirteen, less so, so I chose to exclude her even though it seems unfair since I already made that one exception.

CCXXI: Bear Baby Breakout

Posted by on October 18, 2016
Production Code: UTC221

This is the part of the story arc that many writers (particularly screenwriters of action/horror films) hate. At some point you need to assemble all of the various groups and they need to share information with each other that the audience has already learned. It can get clunky and repetitive. Robert Rodriguez brilliantly found a way to skip this section of his film Planet Terror by literally cutting it out and claiming that the theater had misplaced that reel of footage. I have no such fallback option, so I have to just make this as entertaining as possible. Cue crowdsurfing Flint!

CCXVII: A Class Determined

Posted by on March 5, 2016
Production Code: UTC217A

This chapter originally launched in November 2015 with this single page. Shortly after posting, I had some serious issues with my ability to complete pages in a timely manner and was unhappy with the overall look of the page.

Eventually I redrew the middle section of the page and improved the backgrounds, adding some subtle textures.

This is the very first time the primary building of Attic High is seen in full. I hadn’t ever designed the complete structure, so the layout was cobbled together from what few exterior shots existed prior to this point, and I attempted to make the building match the established interiors as well. Then I covered almost the entire drawing in snow so you can barely see it. Surprisingly, this ended up being the easiest of all the panels on this page.

CCXVI: A Class Divided

Posted by on June 1, 2015
Production Code: UTC216

For the first time in the series, all 9 members of the current main and supporting casts appear on the same page. (Despite being in different locations.) I purposely held off on gathering everyone together in one place until a dramatically appropriate time. (The only time they’ve been all in the same room thus far in the series was during the Chapter 1 fundraiser.) Phase Two built up the characters with different combinations forming small groups to deal with whatever was going on. Now that the entire school is involved, you can guess where this is headed.