Lookit all these already-transformed characters we’ve never seen transform.
Just look. No backstories. They’re just appearing for flavor to add to the diversity of the looming fight sequence.
*sobs* What am I even making this comic for.
I don’t have much experience drawing bodies tangled in other bodies, so panels 2 and 3 were a challenge. I don’t quite think I got all of their masses properly aligned here. It seems like Kestrel’s torso has been absorbed into Chuck’s stomach.
I like having a varied pool of background characters that can develop into contributing characters. July started as a friend of Keris’ to fit a single scene in “New Tricks,” and over the next few chapters she’s had a supporting role in establishing Ken’s plot. Obviously she’s gone from being somewhat supportive of Ken’s group to being so against it that she’s helping to thwart them. And she’s only had three pages in total devoted to this across four chapters. These types of storytelling tricks are still new to me, but I realize I should have been using them far earlier.
I hadn’t intended for Jen to be wearing pantyhose, but this felt like a great way to show how much she’s shrunk. From what I’ve heard, women sometimes wear hose under pants for comfort or insulation, and considering there is a full-on winter storm outside, it seemed pretty plausible.
I was a bit iffy on Keris’ self-defeating attitude here. It feels almost like a step back from her growth in “New Tricks,” but given the crushing circumstances and the fact that she doesn’t have an invention that can be used against Ken, I believe her decision to stay out of the fight is appropriate for this stage of her character arc.
You see, I had written a panel showing Cynthia swallowing the aspirin, but I wanted to give Flint’s flying panel as much space as possible, so I made a mental note to myself to move the final panel, showing her gulping down the pills, on page CXXVI. At some point that week, I forgot that mental note, and drew the page straight from the script.
Write everything down, is what I’m saying.
Drawing Cass from so many different angles resulted in a very uneven design for her face. Throughout Phase Two I struggled with exactly how to draw her half-goat muzzle. (I had come to dislike her dogish snout from Phase One.)