CCXXXVII: Mouths Open, Everybody! Got to Make It Look Thrilling!

Posted by on September 26, 2018
Production Code: UTC237

I learned a lot about coloring with intense light sources from making this page. There’s a video about the coloring process that subscribers of the Catomix Patreon campaign can check out.

Drawing and coloring Ken in these panels made my gut twist in knots. Cancer is a horrible thing, and rendering a visually exaggerated, grotesque version of it had an effect on me. Still, I let the drawings take shape hoping that if it was having an impact on me, it would have an impact on everyone else too. Don’t mess around with science irresponsibly, kids.

CCXXXIV: Super Smash Students

Posted by on June 13, 2018
Production Code: UTC234

Jen explained Walker’s electrical horn in the last chapter. I deliberately established it back then so I wouldn’t need to shove in a quick explanation during the big battle.

CCXXXIII: Not on Her Watch

Posted by on May 1, 2018
Production Code: UTC233

When I started Phase Three, I wrote down a few “rules” that I should follow to avoid some of the pitfalls I fell into in Phase Two. One of those rules was “no pages with more than 9 panels.” This page has 19 panels. Oops! Looks like we have a new record holder.

I looked through the catalog of background student characters I built up over the past 10 chapters to select a few to join Ken’s team and made choices that were both obvious and unexpected. Gareth fought on Cass’ side against Keris, but I decided to put him in Ken’s corner. Conversely, Toho was all for inflicting punishment on Dr. Mitchell in Chapter 5, so he seemed a natural choice to go along with Ken’s plan.

CCXXXII: Just Get on With It, People

Posted by on March 11, 2018
Production Code: UTC232

Lookit all these already-transformed characters we’ve never seen transform.

Just look. No backstories. They’re just appearing for flavor to add to the diversity of the looming fight sequence.

*sobs* What am I even making this comic for.

CCXXXI: Ashton PUNCH!

Posted by on February 7, 2018
Production Code: UTC231

I don’t have much experience drawing bodies tangled in other bodies, so panels 2 and 3 were a challenge. I don’t quite think I got all of their masses properly aligned here. It seems like Kestrel’s torso has been absorbed into Chuck’s stomach.