Possibly the smartest senior at Attic High. He’s made it to the top of the class despite a language deficiency. Prefers to stay silent.

CCXXVIII: He Fell for It

CCXXVII: Here We Go

CCXXV: La Résistance

Posted by on January 31, 2017

I like having a varied pool of background characters that can develop into contributing characters. July started as a friend of Keris’ to fit a single scene in “New Tricks,” and over the next few chapters she’s had a supporting role in establishing Ken’s plot. Obviously she’s gone from being somewhat supportive of Ken’s group to being so against it that she’s helping to thwart them. And she’s only had three pages in total devoted to this across four chapters. These types of storytelling tricks are still new to me, but I realize I should have been using them far earlier.

I hadn’t intended for Jen to be wearing pantyhose, but this felt like a great way to show how much she’s shrunk. From what I’ve heard, women sometimes wear hose under pants for comfort or insulation, and considering there is a full-on winter storm outside, it seemed pretty plausible.

I was a bit iffy on Keris’ self-defeating attitude here. It feels almost like a step back from her growth in “New Tricks,” but given the crushing circumstances and the fact that she doesn’t have an invention that can be used against Ken, I believe her decision to stay out of the fight is appropriate for this stage of her character arc.

CCXXIV: The Attic is Apologetic

Posted by on January 15, 2017

The final panel should technically only include “Attic’s Six” because Cass is alluding to the ethics class only. But Flint had arrived with the others and I couldn’t leave him out of the group shot for something this dramatic. He’s much too closely involved with all that’s going on to be left out. Thirteen, less so, so I chose to exclude her even though it seems unfair since I already made that one exception.

CCXXI: Bear Baby Breakout

Posted by on October 18, 2016
Production Code: UTC221

This is the part of the story arc that many writers (particularly screenwriters of action/horror films) hate. At some point you need to assemble all of the various groups and they need to share information with each other that the audience has already learned. It can get clunky and repetitive. Robert Rodriguez brilliantly found a way to skip this section of his film Planet Terror by literally cutting it out and claiming that the theater had misplaced that reel of footage. I have no such fallback option, so I have to just make this as entertaining as possible. Cue crowdsurfing Flint!