Lookit all these already-transformed characters we’ve never seen transform.
Just look. No backstories. They’re just appearing for flavor to add to the diversity of the looming fight sequence.
*sobs* What am I even making this comic for.
I don’t have much experience drawing bodies tangled in other bodies, so panels 2 and 3 were a challenge. I don’t quite think I got all of their masses properly aligned here. It seems like Kestrel’s torso has been absorbed into Chuck’s stomach.
I didn’t intend to have a background in Panel 1 while I drew it. During the coloring stage, I saw how blank the backdrop looked compared to having the foreground pieces (the hints of the machine Ken’s group is building). I also realized that it isn’t super obvious that Ash is breaking through the upper level windows. So I threw some color in the BG and added Ash’s silhouette.
All series I’ve been looking for a way to showcase Demetrius’ “genetic warfare” devices. We’ve seen his biological weapons before, but not any of their delivery systems until now. Aaaaand…it’s basically a tee-shirt cannon.
This is the first actual use of Morty’s (and Noah’s) transformation ray since the final chapter of Phase One. I kept it away from the students in Phase Two because it’s kind of a miraculous device. It healed Jen’s mortal wounds after transforming her into a were-poodle and back again, and with the kind of dangers the kids face every chapter, it would have become the dreaded deus ex machina of this series. At that point I started coming up with the germ of the story that’s unfolding here, where the ray is at the crux of villain Ken’s ambitions, and created the subplot that ran through Phase Two where Jen had confiscated the ray to prevent this kind of misuse.
All of Katsuko’s bears are designed to protect children, so I figured it would make sense if some of them were capable of acting as baby monitors.
This page takes its title from the Star Trek: Deep Space Nine episode “The Changing Face of Evil.”