CCXLVII: What We’re Stuck With

Posted by on May 3, 2019
Production Code: UTC247

CCXLII: Class Welfare

Posted by on February 1, 2019
Production Code: UTC242

I tried to make this scene as not-cheesy as possible. The “and they all get along now” ending trope is difficult to get just right without the writer coming across as a Pollyanna. It was, however, important to me that the students come together for a common cause despite the bad acts that had just been done.

It took an embarrassingly long time to think about which characters should inspect the transformation ray. I think my first instinct was to have Noah direct some random student how to tinker with it, since the ray is technically Noah’s invention. But of course, it’s Morty’s build. He and Thirteen are the most qualified ones in the room to inspect it. Thankfully I remembered that before drawing the panel!

After making this page I read up on first aid for a broken arm and one article said you should not elevate the head. I assume this has to do with keeping blood flow to the arm to a minimum. Oh well! Ash is just trying to help.

CCXXXII: Just Get on With It, People

Posted by on March 11, 2018
Production Code: UTC232

Lookit all these already-transformed characters we’ve never seen transform.

Just look. No backstories. They’re just appearing for flavor to add to the diversity of the looming fight sequence.

*sobs* What am I even making this comic for.

CCXXXI: Ashton PUNCH!

Posted by on February 7, 2018
Production Code: UTC231

I don’t have much experience drawing bodies tangled in other bodies, so panels 2 and 3 were a challenge. I don’t quite think I got all of their masses properly aligned here. It seems like Kestrel’s torso has been absorbed into Chuck’s stomach.

CCXXVII: Here We Go

Posted by on March 6, 2017
Production Code: UTC227

I didn’t intend to have a background in Panel 1 while I drew it. During the coloring stage, I saw how blank the backdrop looked compared to having the foreground pieces (the hints of the machine Ken’s group is building). I also realized that it isn’t super obvious that Ash is breaking through the upper level windows. So I threw some color in the BG and added Ash’s silhouette.

All series I’ve been looking for a way to showcase Demetrius’ “genetic warfare” devices. We’ve seen his biological weapons before, but not any of their delivery systems until now. Aaaaand…it’s basically a tee-shirt cannon.