Senior at Attic High and unwitting half-goat mutant. Naturally feels like an outsider, even before the transformation. Changes hairstyle daily thanks to rapid hair growth.
I learned a lot about coloring with intense light sources from making this page. There’s a video about the coloring process that subscribers of the Catomix Patreon campaign can check out.
Drawing and coloring Ken in these panels made my gut twist in knots. Cancer is a horrible thing, and rendering a visually exaggerated, grotesque version of it had an effect on me. Still, I let the drawings take shape hoping that if it was having an impact on me, it would have an impact on everyone else too. Don’t mess around with science irresponsibly, kids.
This page’s title alludes to Zapp Brannigan, the Captain Kirk expy from Futurama.
I didn’t want to drag out the battle any longer with explanations for why things do things, so you are probably wondering what Swanson is doing to that poor cat in panel 3. It has something to do with using the hive mentality of bees to get them to swarm at a specified target. The device Swanson is lugging over his shoulder is able to direct the bees in such a way.
It’s rare that I use color for emotional impact. I’m not a “color thinker.” (See anyone’s comment about UTC’s cartoonish palette.) Color theory was my worst subject in art school. I count myself lucky I can pick colors that are at least not offensive to the eyes. Still, I’m at least aware of how effective color can be. This moment marks such a massive shift in tone, I thought I would try going for a stylistic color shift to convey it.
Jen explained Walker’s electrical horn in the last chapter. I deliberately established it back then so I wouldn’t need to shove in a quick explanation during the big battle.